![]() A lot of these influences just came into my music. That was me throwing my childhood into the music. I was using drum-and-bass, jungle-type stuff. In “Pass Out,” it was electronic hip-hop with trap energy it also had a reggae energy in it. If you can understand the perspective of the energy of the music, you can always find a way of incorporating it. I’m this 12-year-old kid being a sponge to all of these energies. My eight siblings had friends that were bringing in music like David Bowie, Prince, and genres that were inspiring to listen to. And then downstairs it would be my brother, who was way more into hip-hop, so it would be Wu-Tang, it would be Jurassic 5, A Tribe Called Quest.Īnd then in the other room my other brother would be playing jazz, like Weather Report and Yellow Jackets. In my household, my sisters upstairs listened to Jodeci and 112 and Aaliyah, and all of these R&B artists and great singers. And that was the moment where the industry turned into … what was it? The Walking Dead. and exploded in other territories as well. They introduced me to Tiny Tempah, who was an up-and-coming urban artist in the U.K., and we ended up creating a record called “Pass Out.” It ended up becoming a Number One record in the U.K. Once they heard that I could sing and I was writing the records - as well as producing them, playing instruments on them - they were like, “OK, this guy has got something,” and it evolved into me getting signed to EMI at the time. I wanted to make sure the music felt like those things.” “ When you look back to your teenage days,” he says, “it feels semi-magical but semi-crazy and semi-psychotic. His soundtrack, due out in album form this Friday, hums with soft electricity, perfectly complementing the journey of the main character, Rue, a teenager caught in limbo between the euphoria of a drug high and the harsh consequences of addiction. His style got the attention of Sam Levinson, creator of Euphoria - which paved the way for Labrinth’s opportunity to score the show. “It’s like a bag of Skittles when I’m creating music.” “I’m this 12-year-old kid being a sponge to all of these energies,” he says. Labrinth attributes this genre-mashing to the influence of his childhood home - an “unofficial music school,” as he puts it, where his eight siblings each came in listening to a giant grab bag of artists. This wide array of projects is nothing new for the London-based singer-songwriter-producer, whose music spans electronic, hip-hop, R&B, gospel, and jungle, among other sounds. Labrinth has had a busy couple of years, scoring his first TV series with HBO’s Euphoria, releasing an album with his new supertrio, LSD (with Sia and Diplo), and co-writing the Beyoncé song “Spirit” as part of Disney’s recent Lion King movie.
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